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</script><div class="clear10"></div><div class="clear10"></div><a href="https://de.wikipedia.org/wiki/Tobias_Matthay">Wikipedia</a><div class="p">Tobias Augustus Matthay (* 19. Februar 1858 in London; † 15. Dezember 1945 in High Marley, Haslemere) war ein englischer Musikpädagoge, Pianist und Komponist.</div><div class="p">Mattay studierte an der Royal Academy of Music, wo er u. a. Schüler von <a href="http://de.instr.scorser.com/C/Zink/William+Sterndale+Bennett/Alle/Popularity.html">William Sterndale Bennett</a> war. Von 1876 bis 1925 wirkte er dort als Professor für Klavier. 1900 gründete er eine Musikschule, an der er eine eigene Klaviertechnik unterrichtete, die sich an physiologischen Vorgängen des Klavierspiels orientierte und die er in dem Buch The Act of Touch (1903) darstellte.</div><div class="p">Seine Theorien und die darauf basierenden Methoden waren umstritten, brachten aber Pianisten wie <a href="http://de.instr.scorser.com/C/Zink/Arnold+Bax/Alle/Popularity.html">Arnold Bax</a>, <a href="http://de.instr.scorser.com/C/Zink/York+Bowen/Alle/Popularity.html">York Bowen</a>, Myra Hess, Felix Swinstead, Harold Craxton, Irene Scharrer, Clifford Curzon, Moura Lympany, Eunice Norton, Lilias Mackinnon, Guy Jonson, Vivian Langrish und Harriet Cohen hervor. In den 1920er und 1930er Jahren gab Matthay in den USA Sommerkurse, aus denen 1925 die American Matthay Association hervorging.</div><div class="p">Matthay verfasste mehrere Werke zur Technik des Klavierspiels, Seine eigenen Kompositionen sind heute weitgehend vergessen.</div></body></html>