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</script><h1>Samuel Arnold</h1><div class="hd"><a href="http://de.instr.scorser.com/C/Alle/Samuel+Arnold/Alle/Alphabeticly.html">Alle Kompositionen</a></div><div class="clear10"></div><h2>Kompositionen für: 0</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://de.wikipedia.org/wiki/Samuel_Arnold_(Komponist)">Wikipedia</a><div class="p">Samuel Arnold (* 10. August 1740 in London; † 22. Oktober 1802 ebenda) war ein englischer Komponist.</div><div class="p">Arnold erhielt seine Ausbildung in der Chapel Royal unter Bernard Gates und <a href="http://de.instr.scorser.com/C/0/James+Nares/Alle/Popularity.html">James Nares</a> und erwarb sich bereits durch seine erste Oper The Maid of the Mill (1764) und das Oratorium The Cure of Saul (1767) die bleibende Gunst des Publikums.</div><div class="p">Er wurde 1783 königlicher Hofkomponist, 1789 Direktor der Academy of Ancient Music, 1793 Organist an der Westminsterabtei und starb am 22. Oktober 1802 in London.</div><div class="p">Arnold hat über 40 Opern und Intermezzi geschrieben, die alle beifällig aufgenommen wurden, aber an Wert seinen Kirchenkompositionen, namentlich seinen sieben Oratorien, nicht gleichkommen.</div><div class="p">Sein verdienstlichstes Werk war die Cathedral Music, eine Sammlung der besten kirchlichen Kompositionen englischer Meister (1790, vier Bände), die 1847 von Rimbault neu herausgegeben wurde. Auch eine Ausgabe von Händels Werken in 36 Foliobänden besorgte Arnold, die unter den Auspizien des Königs (London 1786 ff.) in prachtvoller Ausstattung erschien.</div><div class="p">Dieser Artikel basiert auf einem gemeinfreien Text aus Meyers Konversations-Lexikon, 4. Auflage von 1888 bis 1890.</div></body></html>